![]() The TOD's most striking aesthetic feature may be the fingerboard inlay design, which Tim has dubbed as the "Tree of Death". The guitar is highly inspired by the Ibanez AZ model, and it also features some of Tim's personal touches to make it perfectly designed for his versatile playing style. Ibanez has worked closely with Tim Henson, one half of the dynamic guitar duo of Polyphia, for many years, and together have developed a signature model, the TOD. By weaving technical and virtuosic guitar instrumentations together with hip-hop, jazz and R&B-influenced production and grooves, Polyphia has created a truly unique and original sound. TOD1 Polyphia is a primarily instrumental progressive rock band based in Plano, Texas. Give it a demo and see how you get on you can get it for $41 on JRRShop with code GROUP.The Ibanez TOD1CSV is a Tim Henson Signature 6-String RH Electric Guitar with Bag in Classic Silver. They can completely change the character of your tone I really like York Audio's Vibrolux pack for the clean amp since it scoops the mids in a pleasant way for single-coil guitars, while some Marshall IR's can get you closer to that classic crunch vibe you're looking for.Īs for the multi-voicer not having enough voices, there's a plugin called Eventide Octavox that's on sale right now and does the multi-voice thing with 8 voices and a lot of customization. ![]() Using it, I was able to get much better edge-of-breakup tones than with Petrucci, since I found Petrucci's OD pedal to be very aggressive even at low settings.ĭo consider holding out for a sale though, while possibly getting some custom IR's for Petrucci in the meantime. I think the main thing it has over Petrucci (besides the multi-voicer) is the boost pedal. Henson's white amp is much more suited to mid-scooped chimey Vox/Matchless sounds while the pink amp does nice Marshall crunch tones. I think Petrucci and Tim Henson complement each other really well. This aspect makes each subsequent plugin feel like less value. are very similar in some cases identical from one plugin to the next. Buy another one and you realize the delays, compressors, drives, EQ, mic models, etc. They're all great plugins individually, just start to lose their value the more you get if that makes any sense? $100-$150 for a single plugin (or you know wait for one of the multiple sales each year and snag one half off) and you can have a great feeling amp sim, that gives a pretty damn good level of control in an intuitive interface that doesn't look cheap or as toy-like as some of the competitors. This is how they've decided to align their business model, the "cult" aspect I feel comes from how they make the users feel using them. Some are more one-trick ponies than others, but at the end of the day you can get a lot of similar sounds out of multiple products. This all being said, their products have a TON of overlap and it doesn't make sense to go in thinking you need all or multiple of them. Use a trial and determine if it's worth adding to your arsenal. At the end of the day the products speak for themselves. Neural is very marketing centric, utilizing brand and artist names to attract customers. ![]() I'm not being paid to say that, just appreciated how easy it was to try something I was considering buying and get an extension as I didn't have time to evaluate it properly the on the first go. I hear you and understand where you're coming from.
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